Moderno kazalište iz estetskih perspektiva

Modern aesthetics is fascinated by the quality of empirical expressions in art, where most unattainable forms experiences seek refuge to survive through temporal dialectics. Whereas modern art endeavors transcend its inherent experience suffering negating sociopolitical reality imposed suppressive pain, Theodor Adorno’s Aesthetic Theory associates itself with study a non‐discursive form that refers transient nature multilayered truth, compromising self‐reflexive and subjectively essence, which all aesthetic questions terminate. Correspondingly, current paper aims at approaching Eugene O’Neill’s mental theater from new perspective, acknowledging significance dialectics aesthetics. Accordingly, research studies Long Day’s Journey into Night based on elements negation, confirming these detecting ultimate truth works literature.